The Proposition & Gomorrah Term Paper Example | Topics and Well Written Essays - 500 words

The suggest & Gomorrah - Term Paper Exampleem miniature, and many another(prenominal) film commencers use aperature flare, an artifact of having a photographic camera, to make CG sequences feel more real. Two films, The Proposition and Gomorrah use glossary and camera reason to create two vastly disparate visual styles, which leaves the interview with two very different impressions The Proposition seems like a storey book, or a distant tableau, whereas Gomorrah creates a sense impression of immersion.The color palettes of these two films are one of the first thing one notices when comparing them. The Proposition has an incredibly warm color palette, almost seeming to have yellow or orange gels over the camera lens during all single shot. Gomorrah, on the other hand, has a somewhat cooler, grittier, and more realistic color palette. This creates very different impressions for the audience - the color palette in The Proposition reminds readers of the fact that they are watchi ng a film, a story, and creates a tableau for them to enjoy in the distance. The color palette of Gomorrah, on the other hand, creates a sense of macrocosm there, of realism, and of immersion.The choice of camera movement has a similar effect in both films. The camera movement in The Proposition is long and careful things like slow zooms, smooth movements and so on are incredibly common, as are dolly shots. Gomorrah, however, has a more documentary-style camera movement many of the scenes are shot by hand-held camera or are given the effect of being shot on hand-held camera, with significant bouncing, jostling and so on. This creates the impression that the film maker is actually documenting real things that are happening, rather than painting a story for the viewers enjoyment. All of this serves to make The Proposition more like a storybook, and Gomorrah more like a brutal, real world documentary.The audiences awareness of the artifice of film is a principle object of a directo rs